Archive for the ‘Design’ Category

Digging Up Inspiration

Tuesday, April 10th, 2012

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Last time I was speaking at Seattle’s Art Institute, one of the students asked me something like this: “What do you do to keep your design fresh?” Another asked “Do your personal hobbies/projects ever factor into your work?”

I’ve thought about both questions ever since, coming up with some little bits and pieces here and there, but it can be hard to come up with examples. Well today the Mail carrier brought me a great one – to answer both questions.

Last week I ordered a 1915 copy of Vitalogy – no, it’s not an old Pearl Jam album. Actually the Pearl Jam album, or at least the cover and booklet design, were inspired by this book. This is an actual medical book, first printed in 1905. There are 971 pages of amazing, ludicrously out of date medical advice including diagnoses & remedies, morality, herbal cure-alls, illustrations, charts, tables and more. It’s fascinating, every page.

So what does this old book have to do with my design career? This is just the kind of thing that inspires me. I’ve wanted this book for at least 8 years, after first spotting a copy in a used book store in Seattle. But it wasn’t cheap. And it’s hard to justify spending $100 on this kind of thing, so I forgot about it and moved on. But that’s the problem. That kind of thinking is just too easy. Getting over my inhibitions and following my indulgences… that’s how I keep my self inspired and that’s how I bring my hobbies into my work. I usually call it “removing road blocks.” If something (like a price tag) is standing between you and what you think you can be… remove that road block at all costs. It’s always worth it.

This applies to buying fonts and photos, buying and learning new software or hardware, paying for classes, purchasing inspirational junk like this old book and a hundred other things. I follow my indulgences. I buy promotional stickers and pins for my own art projects. I print T-shirts in my garage. I buy expensive new software and learn how to use it – all the time. And I get crusty, stinky old books that interest me.

This book is a creative gold mine, whether you’re into writing period correct copy from a hundred years ago, looking for some classic typography examples, boning up on your 19th century diseases or looking to scan some fantastic old paper textures. I intend to use some of the antiquated language and admonishments regarding proper living to write some creative copy for some faux advertisements for a personal project. But I know I’ll get much more than that. I’ve already had quite a few belly laughs, and that’s worth the price all by itself.

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Reworking Some Mograph Stuff

Thursday, March 22nd, 2012

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Some new layouts & custom illustrations for a video re-skin.

Experiments In Three Dimensions

Monday, March 12th, 2012

After years of flirtation with the idea, I finally called some friends in the industry, asked some questions and settled on a 3D modeling/animation software package: Maxon Cinema 4D. I’ve just begun experimenting with this and am hopelessly hooked. To sum it up, this is fucking rad.

Here’s a quick test of the basic 3D modeling, using a logo I designed about 10 years ago: NWFT, for Northwest Fat Twins, a brand for a friend doing some cool videos in the local ski industry. This is just the beginning…

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See a very short animated version on YouTube

Here’s one more. This is a logo comp from about a year ago. On the right is the 2D logo concept. But I always pictured this as a sculptural glass piece, like a lobby sign. Now I can bring that vision to life. Great!

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Finally, a crystal. This was an experiment in making a few simple polygons, freehand. But I wound up getting interested in some of the internal, optical distortions that occur in natural crystals. I made a couple attempts to include some bubbles, cleavage planes and fissures. It was a quick attempt, but I like the results. A little detail can make all the difference.

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And the animated 360 rotation here.

Art Show. Seattle. April 1, 2011

Thursday, March 10th, 2011

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Assuming it’s not some kind of April Fool’s Day practical joke, I’ll be showing some art on Friday, April 1st, at Fremont’s Portage Bay Goods. It’s a great little store, full of quirky goodness. They will be open for Fremont’s monthly Art Walk event, and I’m assuming there will be some kind of treats – I’ll look into this. I think I heard something about some wine.

I’ll be showing a mix of material, mostly focused on some favorite themes: Robots, animals-wearing-ties, creepy-old-guys and probably a bicycle or two. I guess it qualifies as a mixed media show. My favorite techniques include a home-brewed printing processes, usually combined with hand-painted bits, sometimes some ink or pencil, cut paper, stencil or spray paint. Amongst all that nonsense will be a few good old fashioned paintings, and I’m very likely going to do some screen printing experiments (on paper), which should be fun.

Update: Wine and snacks are confirmed. Also, special business hours on Art Walk nights: Open from 10am to 9pm. Cool.

Another update: I just spent the whole afternoon up to my elbows in ink and paper, making some screen printed greeting cards and mounted art for the show. There are some fun process photos on Flickr. Here’s a teaser, two of the finished cards:

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A New Poster Design

Friday, November 12th, 2010

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Pattern Behavior

Thursday, November 4th, 2010

hand drawn background pattern

Another great inspiration sent over from my buddy Eric, a great how-to on making truly repeating, full-coverage patterns (not just rows and columns with spaces in between), that he found on this blog. Great stuff. I gave it a try and the results are encouraging. I’m going to try some more. For starters, here are the results of experiment #1, made up fully out of my head, on the spot, as quickly as possible. It took about an hour to get from blank page to what you see above – hand drawn, then repeated digitally. As a side note, this appears to be another piece of evidence in support of executing as quickly as possible, without over-thinking and dragging processes out. Every time I do that: better results, and more efficient. But that’s another story for another time.

For now I’m dreaming of William Morris and Lotta Jansdotter – two of my favorites, worth mentioning for anyone inclined to read further.

Update: Here is my second attempt. I like it, but I drew it at 100% scale. Next time I attempt one of these, I’ll draw it very large, and shrink for better detail.

Hand drawn, for starters, then cut, flipped, colored, etc digitally.
hand drawn pattern

This will repeat endlessly, seamlessly in all directions. Cool trick.
tiled pattern in blue

The hardest part is deciding on a color scheme.
repeating pattern, black

Sneak Peak – Animation Process

Wednesday, October 20th, 2010

I spend my days toiling in the creative candy mines of Phinney Bischoff Design House. This week I’ve been working on an animated ad which will appear in movie theaters. Here’s a quick snapshot of the process so far.

After a script is approved, it is sketched as a loose storyboard, to figure out the basic idea of how the words and graphics will relate to each other, timing, etc. This is a messy process, which involves many eraser crumbs.

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A sketched storyboard is usually accompanied by one or two frames, fully rendered as examples. This is a detail of one such illustration. I’ve gone to a lot of trouble to make this look like an authentic, vintage sci-fi poster, taking exception in certain details like color saturation etc, for effect.

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After the storyboard and sample illustration are approved, the whole storyboard is fully illustrated so that the client can approve all visual elements and final image sequence. That will happen this week. The boards are ready.

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After final storyboard approval will be animation. I’m looking forward to that. Should be lots of fun.

FIlm Leader Animation

Wednesday, October 20th, 2010

I’ve always wanted an excuse to animate a film leader – loving anything old, dusty and blurry. Finally, I have a client who wants one! I made this entirely from scratch, using Photoshop, Illustrator and some of my own photographs and scans, then animated the whole business in After Effects. It was a great exercise in animating. It probably looks simple, but I learned quite a bit in the process and uncovered a couple neat little tricks in After Effects.

Inspired Art

Thursday, October 14th, 2010

I keep telling myself to pull together a gallery showing. One of these days, probably. Here’s another piece doomed to wait eternally for that show.

Canvas-Mock

Mural Painting

Monday, October 4th, 2010

A few of us Phinney Bischoff folks took a little time after hours to improve our “Creative Lounge” at the office. That’s our basement, which used to be spider-filled storage, as of a year ago. It has since been finished, white boards added, tables, chairs, a media center, mini fridge (full of beer, of course) and now this: a custom mural, designed by myself, and painted by myself with the very helping hands of a few of our talented designers. I couldn’t have had a more qualified paint crew. I took time lapse of some of the process and put together a quick little behind-the-scenes vid, just for fun. Enjoy:

Amazing Wedding Invitation Design

Friday, July 2nd, 2010

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I can’t resist sharing this ridiculously cool wedding invitation, designed and created by hand, by my good buddy and fellow designer, Eric Wyttenbach. I was fortunate enough to receive one of these in the mail, and I must say, it really stood out – like a little Christmas treasure, begging to be opened.

What a feast for the senses! Check out his own account of the process on his blog, including lots of photos and a great vid of the final assembly. Very cool.

I was also fortunate to be involved, in some part, by assisting Eric with the creation of a specially-made, matching, sterling silver pendant for his bride to be. Eric approached me with an idea and a cool piece of art, and together we figured out how to make it happen. I enjoyed every step of the process from brainstorming to final polish. Pics of the pendant are included in another post by Eric – you gotta see it. I love collaborating with other creative peeps, especially a guy like Eric. Years ago we discovered screen printing together – I see that is working well for him – and he continues to inspire me to never stop exploring new possibilities.

Now Selling on Etsy!

Monday, June 7th, 2010

Well, I finally went live with an Etsy store. Go buy some stuff. I’ll be adding new designs, one at a time from now until forever, I’m sure. Next up: a bunch of pendants.

Go to my Etsy store here.

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So far the only revenue that I have ever generated via jewelry making has been on custom-commissioned pieces. Selling on Etsy marks the beginning of selling “stock” items of my own design, with nobody else’s input (except that of my lovely wife, of course). I will still custom make each of these pieces to order, in the customer’s size, and with their initials stamped inside if requested. But they are not collaborative pieces. They are more or less sold “as-is” – we’ll see how that goes.

Another Venture

Friday, April 9th, 2010

I guess I’m going to put up a custom-made jewelry site, see if I can sell some stuff. Of course half the fun is just setting it all up and getting to design myself a logo, site, cards, etc. I’m going to see what it takes to set myself up with a Wordpress CMS – just to gain that skill for other clients. Meanwhile, I’m beginning to explore logo ideas. I like these, as a start.

Logo Ideas

I feel a bit self conscious saying “jeweler” – makes it sound like I think I know what I’m doing – and I don’t think that at all. Oh well, you have to project confidence!

Motion Graphics Experiments

Friday, March 19th, 2010

At work I’ve been taking a lead role in developing our motion graphics capabilities. Everyone has been really supportive, buying me software and encouraging innovation. Thank god. It’s a big task and trying to do it without support could easily turn into frustration. There is plenty of that anyway. In the past six months, we’ve expanded our capabilities and have produced a few short pieces already. The BECU pieces were scripted and illustrated at PBDH and animated at Lustre Communications. Everything else was wholly designed and produced in-house at PBDH.

Here is a recent test of a few little techniques. It doesn’t really tell a story – just a test. This was made with Adobe Illustrator and After Effects.

Here is another recent test…. time lapse!

Project: Light Box

Thursday, March 18th, 2010

Last night I made this little light box for use at the office. Read my PBDH blog post if you want to know why.

LIght Box

Illustrating with Digital Paper and Light

Wednesday, November 25th, 2009

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I’ve been working on this style/technique for a while now… gathering inspiration, scanning/hoarding textures, drawing vector plants and rockets. Most of these elements have been in my stash for a year or longer. There has been a vague vision in my head, and I think I’m finally getting it. Layers of textured paper with shadows/depth between them. Lighting applied over the whole thing to saturate the center region, while darkening the edges. Finally a lens blur to the edges to add to that perceived depth.

I love the idea that you are seeing all this inside some kind of old-fashioned Viewmaster, a projector with a thick glass lens or a Magic Lantern. In motion graphics, the layers would move/focus independently – and selectively to nail that depth of field effect – and a hint of flickering light over the whole thing could certainly add to the vintage projector feel. I wish there was a way to add that burning dust smell.

I’m sure this will evolve quickly, now that I’ve finally gained some traction. I hope so.

Screen Printing Again!

Thursday, October 22nd, 2009

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Nikki and I had a good time printing some shirts for ourselves and some friends last weekend. Nikki did the design, which was a big hit at our annual apple-picking/cider-pressing party. We printed them together in the garage. It was quicker and easier than I always remember. I really enjoy the results we get with our screens, which work equally well for posters, greeting cards and other paper materials as they do on fabric. The ink (we often use acrylic house paint on paper) is thick, and when used on paper it has a raised effect which is similar (although opposite in direction) to the feel of letterpress printing – and requires much less equipment. I think I’m going to do a batch for myself with some hobby-related designs – maybe mountain biking or VW bus themes. Maybe you’ll be seeing those on Etsy soon.

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Tangent From a Logo

Tuesday, September 22nd, 2009

This idea never even made it in front of the client (and it shouldn’t have). Originally these were logo sketches for a client who makes brain implants that improve the function of motor skills in victims of brain trauma. You can see the electrodes, the halves of the brain, the faces to give it a human element – of course these all express the wrong emotions for the original project. Before long, a better idea came to the forefront for the client’s needs, and this one was shelved. But I continued making robots and space cowboys, just for the sheer joy of it. I had fun with the variety of faces that were making themselves possible. These are my favorites.

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